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KALEIDOSCOPE Screen MINIMAL COLLECTION 00001668

KALEIDOSCOPE Screen MINIMAL COLLECTION 00001668

KALEIDOSCOPE Screen sculpture by Stephen Newby 

 

Winners of Interior Design's Best of Year 2015 award, our modular room dividers are composed of standardised sections for easy construction and flexible arrangement. 

 

The Kaleidoscope is our suspended room divider which has modular sections made of triangular blown 'cushions' that connect with magnetic fixings. Depending on your space, you can connect as many sections as you like. The original Pillow Screen is also modular, but has square cushions and is available as a floor standing or suspended room divider. 

 

Dimensions
A variety of sizes, colours and finishes are available, just follow the 'enquire now' link and let us know what you have in mind.

 

Bespoke Sizes
All screen variations are entirely customisable. The Kaleidoscope Screen comes as standard in sections measuring 1800mm (h) x 840mm (w) x 80mm (d), but it can also be configured to suit any space. Please contact us with your measurements and we'll take care of the rest for you

b1969 British Artist

 

Stephen Newby’s aim to challenge preconceived notions about the nature of materials and their possible forms has been the focus of his work to date, he has produced sculptural works which have varied from studio pieces to larger scale public art.

 

For the last two decades Newby’s work has been concerned with exploring his own process of forming stainless steel through inflating or 'blowing' as if it were glass. It is a way of sculpting that breathes life into metal and metamorphoses steel from a flat and unpliable state into a soft and dynamic form that almost appears organic rather than manufactured.

 

Blown metal

Protean mirror surfaces that almost defy the gaze appear in constant flux, enhanced by their interaction with light and movement - thus intensifying the relationship between object and viewer, sculpture and space.

This interplay between context and form is compelling: realism becomes obscured and the unmalleable and clinical appearance of steel is transformed into something soft, fluid and organic.

 

“…blown metal could be seen as a synthesis of a modern dialectic: the ‘organic’ and the ‘manufactured’…” (Newby, 1998)

 

Newby’s work attempts to confuse and question boundaries between forms, inviting uncertainty about the nature of each sculptural object.

"The transient beauty of each reflective surface creates a shifting and inconstant presence, somehow capturing a feeling of the ephemeral within the confines of the durable"  

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